{"id":2127,"date":"2020-11-07T15:53:00","date_gmt":"2020-11-07T18:53:00","guid":{"rendered":"http:\/\/www.gazetaitauna.com.br\/site\/?p=2127"},"modified":"2020-11-10T09:25:47","modified_gmt":"2020-11-10T12:25:47","slug":"spfw-25-anos-terceiro-dia","status":"publish","type":"post","link":"https:\/\/www.gazetaitauna.com.br\/site\/spfw-25-anos-terceiro-dia\/","title":{"rendered":"SPFW 25 anos Terceiro Dia"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong>TERCEIRO DIA 06\/11\/2020<\/strong><\/h4>\n\n\n\n<p>Entre estreias, retornos e alguns protestos assim \u00e9 terceiro dia da SPFW, comento os principais destaques das marcas que se apresentaram sexta-feira 06\/11.<\/p>\n\n\n\n<p><strong>LUCAS LE\u00c3O<\/strong> abre o terceiro dia como uma grande met\u00e1fora do que aconteceu em nossas vidas durante a quarentena, o desfile de Lucas Le\u00e3o se viu limitado ao virtual. &#8220;Fizemos todas as roupas fisicamente e depois as digitalizamos&#8221;, diz ele. O processo contou com a parceria dos artistas 3D Pepapuke e Bruno Meira, respons\u00e1veis pelas imagens que reproduzem algumas das pe\u00e7as de formas amplas e acolchoadas, pelas quais a marca ficou conhecida.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LUCAS LEA\u0303O\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/LgRlOwUh6SE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>LED<\/strong> &#8220;Essa cole\u00e7\u00e3o partiu de um processo de enfrentamento \u00e0 realidade&#8221;, diz C\u00e9lio Dias, nome por tr\u00e1s da <strong>LED<\/strong> marca mineira. Em termos pr\u00e1ticos, a cole\u00e7\u00e3o se desenvolve em cima de c\u00f3digos j\u00e1 conhecidos da grife: camisetas com mensagens pol\u00edticas (&#8220;uma bicha para presidente&#8221; e &#8220;abaixo o macho astral&#8221;), pe\u00e7as amplas com jeit\u00e3o street, jeans, um pouco de alfaiataria, outro tanto de camisaria e muito croch\u00ea. A <strong>LED<\/strong> sempre se posicionou como uma marca LGBTQIA +, conformidades de g\u00eanero e conceitos bin\u00e1rios n\u00e3o se aplicam aqui. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"745\" src=\"https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/05112020-led-spfw-n50-thumb-looks-.jpeg-1024x745.jpg\" alt=\"\" class=\"wp-image-2137\" srcset=\"https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/05112020-led-spfw-n50-thumb-looks-.jpeg-1024x745.jpg 1024w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/05112020-led-spfw-n50-thumb-looks-.jpeg-300x218.jpg 300w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/05112020-led-spfw-n50-thumb-looks-.jpeg-768x559.jpg 768w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/05112020-led-spfw-n50-thumb-looks-.jpeg.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LED\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/CDTmhYgUuoU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>MISCI<\/strong>  Estreante no evento, Airon Martins tamb\u00e9m levanta bandeiras e prop\u00f5e a ressignifica\u00e7\u00e3o de elementos brasileiros ainda que \u00e0 sua maneira. S\u00e3o estampas de filtro de barro, pontos que lembram aqueles usados no artesanato t\u00edpico de regi\u00f5es do nordeste, motivos tipo xilogravura e filetagem, al\u00e9m de algumas texturas de tramas manuais. Tudo isso aplicado em pe\u00e7as de design minimalista, com modelagens afastadas do corpo e caimento quase sempre fluido. Airon deu \u00e0 cole\u00e7\u00e3o o nome de Brasil Imp\u00fabere. Imp\u00fabere diz respeito \u00e0quela fase da vida de transi\u00e7\u00e3o entre inf\u00e2ncia e adolesc\u00eancia, antes da puberdade. \u00c9 um per\u00edodo de incertezas, ingenuidades e impulsos. Lan\u00e7ada em 2018, n\u00e3o seria for\u00e7ado pensar na <strong>Misci<\/strong> exatamente nesta situa\u00e7\u00e3o.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"MISCI\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/SpKlE8HZbAw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>RENATA BUZZO<\/strong> chega ao line-up do SPFW em nova forma. Seu processo criativo, continua intenso, melanc\u00f3lico e baseado em sentimentos e experi\u00eancias muito pessoais. A cole\u00e7\u00e3o atual nasceu de um texto que escreveu antes da pandemia e batizou de Estudos Melanc\u00f3licos. &#8220;Fala sobre v\u00e1rios gatilhos, solid\u00e3o, medos, ang\u00fastias, morte&#8221;, explica. &#8220;N\u00e3o sei lidar com perdas, com finitudes terceiras.&#8221; Nos \u00faltimos meses, ficou claro que pouqu\u00edssima gente sabe. O motivo, talvez, seja, justamente, a nega\u00e7\u00e3o e evita\u00e7\u00e3o do assunto. O pesar das palavras que aparecem no v\u00eddeo como legenda contrasta diretamente com a poesia rom\u00e2ntica das roupas. &#8220;\u00c9 a mentira que vestimos para esconder os hematomas e machucados internos que nos fazem entender nossa exist\u00eancia no mundo.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"RENATA BUZZO\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VG02crs4L_k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>JULIANA JABOUR<\/strong> \u00c9 uma cole\u00e7\u00e3o-c\u00e1psula em parceria com a label, composta por camisetas, moletons e bon\u00e9s inspirados nos uniformes de alguns times da Liga Norte-Americana de Baseball. Foi essa collab, em celebra\u00e7\u00e3o aos 100 anos da New Era, que possibilitou o retorno de Juliana ao SPFW e serviu de mote para a releitura de alguns c\u00f3digos essenciais de seu pr\u00f3prio estilo: o mix de street com o sportswear, o romantismo com ares vitorianos, os babados, la\u00e7os, silhuetas esvoa\u00e7antes e volumes bufantes. Se engana quem acha que \u00e9 mais do mesmo. Com tecidos mais encorpados, cartela de cores quase toda em preto e branco, estampas contidas e refer\u00eancias punks dos anos 1980, a marca chega mais madura e em boa sintonia com os desejos de consumo de agora.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"676\" height=\"1024\" src=\"https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/JULIANA-JABOUR-676x1024.jpg\" alt=\"\" class=\"wp-image-2136\" srcset=\"https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/JULIANA-JABOUR-676x1024.jpg 676w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/JULIANA-JABOUR-198x300.jpg 198w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/JULIANA-JABOUR-768x1164.jpg 768w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/JULIANA-JABOUR-1014x1536.jpg 1014w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/JULIANA-JABOUR-1352x2048.jpg 1352w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/JULIANA-JABOUR-scaled.jpg 1690w\" sizes=\"(max-width: 676px) 100vw, 676px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"JULIANA JABOUR\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/J-8k7Cp8HnU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>HANDRED<\/strong> O primeiro emprego do estilista Andr\u00e9 Namitala foi em Copacabana. Quando lan\u00e7ou sua marca, a <strong>Handred<\/strong>, escolheu o mesmo bairro para sediar seu ateli\u00ea. Meses antes da pandemia, mudou sua casa para l\u00e1 tamb\u00e9m. N\u00e3o surpreende, ent\u00e3o, que sua mais recente cole\u00e7\u00e3o seja uma homenagem a esse endere\u00e7o hist\u00f3rico do Rio de Janeiro. Entre o cal\u00e7ad\u00e3o desenhado por Burle Marx, a praia e um est\u00fadio coberto por areia, Andr\u00e9 revisita o imagin\u00e1rio est\u00e9tico do bairro em propostas ora mais vintage (a alfaiataria dos anos 1940 e 1950 e as refer\u00eancias n\u00e1uticas), ora mais atuais, como no mix de blazer oversized com bermuda ou nos shapes com leve toque esportivo. O denominador comum s\u00e3o os tecidos de alta qualidade, quase todos de fibras naturais, e os acabamentos e detalhes manuais, como as estampas aquareladas e bordados.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"HANDRED\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WdN5RK9IOvs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>JO\u00c3O PIMENTA<\/strong> Fechando a noite um dos queridinhos dessa coluna.  E\u0301 sobre o sinal dos tempos que fala a colec\u0327a\u0303o de <strong>Jo\u00e3o Pimenta<\/strong>. O ano marcado pela pandemia reflete completamente nas pec\u0327as da marca homo\u0302nima, que cobre os modelos com ma\u0301scaras e luvas, sem deixar nenhuma parte do corpo a mostra. Estes signos representam poeticamente o apelo por seguranc\u0327a e as identidades cobertas em meio a tudo que esta\u0301 acontecido ao redor do planeta. Tudo isso representado atrave\u0301s de roupas superdetalhadas com babados, balone\u0302s e rufos. As modelagens se alternam entre pec\u0327as estruturadas e outras flui\u0301das, que sa\u0303o sobrepostas com tecidos de alfaiataria, algoda\u0303o, la\u0303 e reconstrui\u0301dos com rendas, croche\u0302s, trico\u0302s e bordados. &#8220;Essa cole\u00e7\u00e3o \u00e9 um resumo de tudo que vivemos nos \u00faltimos meses&#8221;, diz Jo\u00e3o Pimenta. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"745\" src=\"https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/06112020-joao-pimenta-spfw-n50-thumb-looks-.jpeg-1024x745.jpg\" alt=\"\" class=\"wp-image-2135\" srcset=\"https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/06112020-joao-pimenta-spfw-n50-thumb-looks-.jpeg-1024x745.jpg 1024w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/06112020-joao-pimenta-spfw-n50-thumb-looks-.jpeg-300x218.jpg 300w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/06112020-joao-pimenta-spfw-n50-thumb-looks-.jpeg-768x559.jpg 768w, https:\/\/www.gazetaitauna.com.br\/site\/wp-content\/uploads\/2020\/11\/06112020-joao-pimenta-spfw-n50-thumb-looks-.jpeg.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"JOA\u0303O PIMENTA\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/qMB-sl0Xr-4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>E assim fecha o terceiro dia da SPFW 25 anos.<\/p>\n\n\n\n<p style=\"font-size:13px\">Cr\u00e9ditos: L&#8217;officiel, Metr\u00f3polis, Vogue, SPFW 25anos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TERCEIRO DIA 06\/11\/2020 Entre estreias, retornos e alguns protestos assim \u00e9 terceiro dia da SPFW,<\/p>\n","protected":false},"author":3,"featured_media":2138,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15],"tags":[552,551,553],"class_list":["post-2127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-moda","tag-sao-paulo-fashion-week","tag-spfw","tag-spfw25anos"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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